Joseph Lallo is a Saxophone Lecturer at the Melbourne Conservatorium of Music and performs internationally as a soloist, chamber musician and conductor. He is the Artistic Director of the Melbourne International Saxophone Festival, and a member of the chamber music ensembles ‘Collide’, with cellist Yelian He and pianist Yasmin Rowe, and ‘Duo Obax’, with oboist Briana Leaman. Passionate about performing new Australian music, Joseph has premiered over 30 works for saxophone, and in 2021 recorded for ABC Classics.
16-year-old Ben Fu was born in China, and began his piano studies at the age of 7. Ben has won several first prizes since 2019 after coming to Australia, mostly recently being the first prize of 2020 Boroondara Eisteddfod piano concerto competition.
Our first guest mentor for Season 2, 2021 is pianist Julia Hastings. Julia is a Melbourne-based pianist who defies stereotypes by being equally at home on stage as an actor.
Isaac Lee is currently learning cello with Rohan De Korte and has received consultation lessons with Howard Penny since the age of 9.
The Talent is back next Tuesday, and we're very excited to introduce our regular mentor for Season 2: conductor and friend of The Talent, Patrick Burns.
It's the last heat episode of Season 1 of The Talent! Our first performer is violinist Louise Turnbull. Read more...
Jun began learning the cello with Suzuki music teacher Takao Mizushima in Sydney at the age of 5. He relocated back to Melbourne in 2016 and completed his Suzuki study under Shoreh Phillips and currently studies under Michael Dahlenburg, cellist in the Australian String Quartet.
Our second performer on The Talent tonight is pianist Ray Liang.
Dorothy began playing and performing at the piano at a young age and her enthusiasm for music has only increased. Born in Melbourne, she attended school there and began learning from Dr Mark McGee.
Australian high tenor Dr Leighton Triplow specialises in the performance and study of early music, particularly that of the English Baroque. He completed a PhD in his mid-20s at the University of Melbourne under the supervision of Dr Erin Helyard, Dr David R. M. Irving, and Liane Keegan with a thesis and performance folio exploring constructs of gender performativity and character realisation in the secular songs of English Restoration composer Henry Purcell (1659–1695).